I cried over a bowl once.
I don’t remember what it looked like, really; I was six or seven, and it was some kind of mixing bowl, but it had been my great-grandmother’s. We were packing to move overseas, a process I understood in terms of its end result. My parents were up late, deciding what to pack, what to put in storage, what to get rid of. You don’t realise how much you own until you have to condense a houseful of belongings into a few airport-ready bins.
I remember yellow kitchen light and open cupboards and the chaos of boxes and kitchenware littering the floor, and my mother holding the bowl and deciding to get rid of it.
And I remember crying.
She told me it was silly to cry, because I hadn’t even known the woman, and it was her grandmother, not mine, and her bowl, not mine, and she told me that sometimes you have to get rid of things, even sentimental things, because you can’t keep everything.
She got rid of the bowl.
I don’t know why that mattered so much to me; all her reasons were right. Maybe it was the stress of the transition catching me unawares, or maybe I was an emotional kid awake after my bedtime. Somehow, though, in the moment, it felt right to cry, to mourn without inhibition what I saw as the loss of something beautiful and meaningful.
I used to cry a lot, actually, but I don’t so much anymore.
I cried for homesickness after every move, but at some point that stopped. Sometime between moving to the desert and moving into a dorm room, homesickness stopped being a poignant ache and started being a fact of life—like a chronic backache, it’s always present, always painful, but no longer debilitating; it’s so constant I hardly remember what life was like before it.
I cried over deaths of people I hardly knew. I cried in the living room over sad movies and in the back of the classroom over sad books that I hid in my lap and read during lectures. I cried over beautiful music and skinned knees and lost toys.
I cried a lot.
I cried unashamedly.
But somewhere along the lines things changed, and I started to hate crying. I began to develop tricks for avoiding tears—biting my cheek, thinking of something funny, dissociating, counting backward from a hundred, anything that would distract my brain long enough to regain control of myself.
My childhood self saw tears as a beautiful thing—a cleansing, a connection, a genuine expression. My beginning-to-grow-up self lost that perspective. Sometime after that bowl, tears became a weakness instead of a strength, a betrayal instead of an admission. They became something to hide, something to deny, something to avoid.
I cried over a rabbit yesterday.
She died in my hands, and there was nothing I could do, and somehow, through the panic and the grief, I remembered my mother standing in that yellow kitchen telling me that you can’t keep everything even if you love it. I held the tiny convulsing body and I cried, and in the infinity between fluttering heartbeats, I remembered every other animal I cried for.
I remembered the mouse dead in the mousetrap when I was eight, and the baby bird dead in my hands when I was ten. I remembered one puppy kicking and going still when I was nine and one puppy watching through the fence as we drove away when I was eleven. I remembered a pair of baby quail in a cardboard box and an old mare rearing in a new corral.
And as I cried, uninhibited, unashamed, over the loss of something beautiful, I thought, for the first time in a long time, that maybe tears are a cleansing.